The lives of two families collide in a whirlwind of grit and loss in the sun-drenched hill country of rural Texas.
Emotional, cinematic, and steeped in the beauty of the rugged Texas countryside — Night Follows Day tells the story of two Texas families who run small blue-collar businesses.
Jeff and River Clayton work on their father's pecan farm and share a strong brotherly bond. Their friends Riley and Lukas Williams work at their father's landfill nearby. After a night of drinking on the Clayton's property, River is accidentally shot by Lukas. The death of River fractures the once close families, eventually spilling over and splintering the tight-knit community as a whole.
Jeff, reeling from the loss of his brother and the financial struggles of his aging father's business, must take a dangerous chance to save the farm — or risk losing it all.
DAN BERDOLL



The visual touchstones shaping our cinematography, color, and framing — six films whose visual language we're speaking to.
Wide, unhurried Texas landscapes and a creeping sense of fatalism — dread that lives in empty space.
Golden-hour backlight and doomed young lovers — romance shot like a memory already fading.
Poetic naturalism, sun flare, and a camera that drifts — memory and place as living characters.
Desperate men undone by one bad decision, shot with sweat, dust, and unglamorous violence.
Blue-collar brothers, quiet men carrying too much — grief and duty shot at eye level.
Austere widescreen compositions and American ambition curdling into something darker.
Night Follows Day is a deeply personal exploration of place, memory, and identity, told through the lens of two working-class Texas families facing emotional and economic upheaval. Artistically, this film is rooted in realism — not just in its performances and narrative structure, but in the very soil of its setting. The Texas Hill Country is not a backdrop but a living, breathing character in this story.
My directorial approach centers on capturing this natural environment with honesty and reverence, employing wide-angle, mostly stationary compositions that allow the landscape to speak and the silence between characters to resonate.
Dialogue will be understated and naturalistic, reflecting how people really speak — where meaning often lies in what's left unsaid. Voice-over, used sparingly and drawn from multiple perspectives, will deepen the emotional texture and immerse viewers further into the characters' internal lives.
Visually and tonally, the film embraces contrast: the mechanized decay of a landfill set against the organic cycles of a pecan farm; the chaos of a cantina raid against the quiet stillness of rural life. These juxtapositions form the heart of the film's visual language — a sense of unease and inevitability that mirrors the characters' internal and external struggles.
Told through the beauty and ruggedness of the Texas countryside, evoking the tonal register of Terrence Malick and the moral weight of Cormac McCarthy — Days of Heaven meets No Country for Old Men.
| Title | Budget | Box Office | Why it's comparable |
|---|---|---|---|
| Days of Heaven | $3,000,000 | $3,500,000 | Low-budget exploration of harsh working conditions with beautiful landscape photography; sparing use of voice-over. |
| Winter's Bone | $2,000,000 | $16,000,000 | Low-budget story of poverty and family ties in a rural setting. |
| Mud | $10,000,000 | $32,000,000 | Stylistically similar rural setting; location and atmosphere central to the story. |
| The Wild Bunch | $6,000,000 | $11,000,000 | The changing of times, outliving one's era, and the death of an old way of life. |
| No Country for Old Men | $25,000,000 | $171,000,000 | Rustic Texas setting; similar themes of changing times, fate, and inevitability. |
"Night Follows Day's atmospheric writing brings its unique setting, the Texas Hill Country, to the forefront. The detailed, vivid descriptions provide insights into a blue-collar community seldom seen and illustrate an abundantly clear vision from a directorial standpoint. It's evident that meticulous thought and consideration were given to the film's visual language."
"The video sample is excellently shot and edited. It's very strong in establishing the style and mood of the film. The locations help a lot as well. Proof of concept trailer / teaser is the strongest component of this application. It demonstrates that what they want to pull off they should be able to. This is a very talented young filmmaker."
"He (Granger Coats) is a self-taught camera operator, photographer, and filmmaker who has developed into a quality and creative artist. Most recently he has shared with me a script that he has written and plans to produce and direct, which I believe will prove him to be a new young American voice worth listening to."
This section is reserved for prospective investors and partners.
Enter the access passphrase provided by the filmmakers to view the budget summary.
Budget figures are preliminary and being finalized — updated numbers coming soon.
Logline, world, characters, locations, director's vision, and comparables — the complete lookbook in one document.
View Pitch Deck (PDF)